Jack Bruce Bass Gear

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I know some of you are probably wondering why I’m writing about a bass player who is not really known for playing a Fender Bass, although Bruce did play a Fender VI Bass early on in his career.

The main reason I feel I should include an article about Jack Bruce is his enormous impact on how the electric bass was played and perceived in rock music, regardless of whether he was using a Fender or not.

Born in Scotland in 1943, Jack Bruce Bass Gear gained fame and recognition as the lead vocalist and bassist of the 1960’s super group Cream. Growing up in a musical family, Bruce went to the Royal Academy of Music in Glasgow, Scotland where he studied cello. Soon after he switched to double bass and became more interested in jazz than classical studies. Playing upright bass in jazz and dance clubs, Jack saw a blues band that featured an electric ギブソン eb-1 bass player. He was immediately fascinated by this “new” Jack Bruce Bass Gear instrument and soon purchased a cheap electric bass guitar and began experimenting with it.

gibson eb-1 bass was much more interested in playing the electric bass more like a guitar, rather than just playing roots and fifths like most bassists of the day. Hugely influenced by the great Motown bassist James Jamerson, Bruce began to develop a busy, lead bass style using melodic phrasing and complex syncopation. In 1965 Bruce was playing for the Graham Bond Organization on upright but soon decided to switch to his electric bass and push the boundaries.

Gibson has never really enjoyed the same success in Bass guitars as Fender none the less Gibson basses have a loyal following. The EB1 first appeared in 1956. It looked more like a violin than a modern bass and appeared very similar to the classic hofner Jack Bruce Bass Gear bass models popular in the 60’s. The EB2, a semi-solid body bass was introduced in 1958 and featured rounded Les Paul like contours. This was probably due to influence of the ES335 which was introduced at the same timeframe. Gibson’s introduced the EB0 in 1959. The EB3 appeared in 1961 and was a deluxe version of the EB0 with an extra bridge pickup which gave it a much brighter sound.

Felix Pappalardi Bass

Felix Pappalardi Bass

The violin shaped “Electric Bass”, as Gibsons first electric bass guitar was known, was first produced in 1953 as a response to the Fender Precision Bass. Only an average of 91 Felix Pappalardi Bass were produced each year untill 1958 when, with the launch of the hollow-body EB2 the EB was renamed the EB1, a name which has now been attributed to the whole production run of this model.

The violin shaped body was carved out of solid mahogony and fitted with a large, brown, pickup at the base of the neck, with the poles situated along the lower, bridge, end. The head was fitted with banjo-style tuners, as were all basses in the 1950’s, and the end of the body was fitted with a socket to take a screw-in telescopic end-pin which allowed the bass to be played as an upright.

Production ceased at the end of 1958, with a total 546 produced, making this an extremely rare model.

There was a nostalgia-driven resurgence of this model in the late 1960’s, leading Gibson to re-issue the model in 1970-72 when they produced 473 re-issues with a metal covered Humbucker, the then prevalent intonable bridge and conventional right-angle tuners.

The most famous player of an EB1 was Felix Pappalardi Bass, the Producer of the Cream and later the Bassist for Mountain, who played a 1970’s re-issue. Jack Bruce also played an EB1 in memory of Felix, during the Cream reunion at the Albert Hall in 2005.

The EB-1 briefly resurfaced in 1970 with a few cosmetic changes but by 1972 it was gone again! With its violin shape and endpin it was definitely aimed at bridging the gap between an upright bass and a bass guitar. The earliest versions of Felix Pappalardi Bass with a brown pickup cover had a huge single-coil unit inside that was actually mounted on its side. This gave it a cleaner and better-defined sound than the 1958 versions that were given a regular bass humbucker.

Epiphone Eb 1 Bass

epiphone eb 1 bass

The Epiphone Eb 1 Bass, then known as the Electric Bass, was first marketed in 1953 in response to the runaway success of the Fender Precision Bass. Rather than using a body styled after an electric guitar, the EB-1 was shaped to resemble a double bass, and even had false f-holes painted onto the top of the body. Production of the EB-1 ended in 1958, when it was superseded by the EB-2 and the later EB-0. The Electric Bass was renamed as the EB-1 at this time.

The Epiphone Eb 1 Bass was reissued twice; once in 1968, and again in 1999. The 1968 reissue deleted the false f-holes. Other changes included standard right-angled tuning machines, and the addition of a chrome bridge cover. This reissue was discontinued in 1972. The 1999 reissue, by Epiphone (a subsidiary of Gibson), was manufactured in Korea. This version of the EB-1 uses a more cost-effective bolt-on neck construction.

Despite its relative unpopularity among players, the Epiphone Eb 1 Bass is prized among collectors for its historical value. It is not uncommon for original EB-1s to fetch prices of over $4000 US dollars.

The Epiphone Eb 1 Bass featured a solid mahogany body with raised pickguard, and featured a 30.5″ scale set neck rather than the 34″ scale of the Fender Precision Bass or the 41.5″ scale of the 3/4-sized upright bass, which was the scale favored by many upright bassists of the time. The pickup was mounted directly against the base of the neck, rather than the mid-body position used by the Precision Bass, giving the Epiphone Eb 1 Bass a deeper, but less defined tone than its rival. The EB-1 is fitted with planetary banjo tuners, rather than the right-angled tuners used by most other guitar and bass designs.

In order to appeal to upright bass players, the EB-1 featured a telescopic end pin that allowed bassists to play the EB-1 in both the upright and horizontal positions. False f-holes and purfling were painted onto the body in order to resemble the upright bass. The Epiphone Eb 1 Bass was only available finished with a brown stain.

This was the first electric bass from Gibson hence the name. However it was rechristened the Epiphone Eb 1 Bass after the introduction of the EB-0 in 1956. It was Gibson’s tradition of organising model numbers by their price that caused the EB-0 to undercut this designation because it was cheaper!

Gibson Eb 1 Violin Bass

gibson eb 1 violin bass

This Gibson Eb 1 Violin Bass very early violin-shaped “EB-1” bass guitar with painted-on f holes (in black) weighs just 8.40 lbs. and has a nice, fat nut width of just over 1 11/16 inches and a scale length of 30 1/2 inches. Solid (two inch thick) mahogany body with a width of 11 1/2 inches and two black ‘pencil’ lines around the outline on the top and bottom. One-piece mahogany neck with a wonderful medium-to-thick profile and unbound rosewood fretboard with 20 thin frets and inlaid pearl dot position markers. Headstock with inlaid pearl “Gibson” logo. Black plastic truss-rod cover. Two-on-a-side Kluson banjo-style tuners with rear-facing Keystone plastic keys. Serial number (“4 1991”) inked-on in black on the back of the headstock of Gibson Eb 1 Violin Bass. One Alnico magnetic pickup with a brown Royalite cover and a huge output of 16.28k. Brown plastic pickguard. Two controls (one volume, one tone) on lower treble bout. Brown plastic barrel-shape half-inch “Speed” knobs. Side-mounted jack socket. Combination “wrap-over” bar bridge/tailpiece with two adjustment screws. The pots are dated “134 320” (Centralab May 1953). All hardware nickel-plated. There are a couple of very small surface ‘cuts’ on the top treble edge of the body (adjacent to the pickup), otherwise this is a spectacular and totally original example in near mint condition, by far the finest we have ever seen, complete with it’s original telescoping end-pin and the original hang-tag. Housed in the original brown four-latch hardshell case with pink plush lining (9.25).

“In the late 1930s Gibson took another foray into the low end with the Electric Bass Guitar – the name, if not the instrument itself, proving prophetic. An over-size, 4-string hollowbody guitar made of solid maple, it was equipped with an endpin for stand-up playing and had a magnetic pickup similar to the Charlie Christian-model guitar pickup. The curved fingerboard had 24 inlaid fret markers, making it the first “lined fretless.” Scale length was an upright-like 42 3/4″. According to Gibson historian Julius Bellson, only two Electric Gibson Eb 1 Violin Bass Guitars were made between 1938 and 1940, before World War ll shut down product development. It’s interesting to speculate about what might have happened if Gibson had been able to follow this line of thought.

Gibson didn’t re-enter the electric bass market until two years after after the introduction of the Fender Precision Bass. The Gibson Electric Gibson Eb 1 Violin BassBass of 1953, like the Electric Bass Guitar of the late ’30s, was equipped with a telescoping endpin for upright playing – but this time the instrument had a small, violin-shaped solid-mahogany body (with painted-on f hole) and a scale length of only 30 1/2″. The short scale was intended, apparently, to make it more appealing to guitarists, an impression that would seem to be confirmed by the inclusion of frets and a pickguard. The large single pickup had a brown plastic cover and was mounted at the end of the neck. The tuners were banjo-style, with rear-facing knobs on the back of the peghead. The Electric Gibson Eb 1 Violin Bass was renamed the EB-1 in 1958, when Gibson introduced another electric bass, but discontinued within the year. Only 546 were made between 1953 and 1958. Updated with a chrome-covered humbucking pickup and some cosmetic refinements, the EB-1 made a brief comeback in 1970 but was dropped again two years later ” (Jim Roberts, American Basses, p.

Jack Bruce Gibson Bass

Jack Bruce Gibson Bass

Bill Black was an upright bassist who played electric bass later, and amongst my peers, Jaco Pastorius was a bass player from the word go; Steve Swallow, like me, switched from double bass to bass guitar – in fact, he saw me at the Fillmore in ’67, and decided to purchase a bass guitar.

In some of the British rock bands, the guy who wasn’t very good on guitar might have taken up Jack Bruce Gibson Bass (chuckles), but I think the serious bass players or bass guitarists are the ones who are in love with the bass and didn’t start off on another instrument.

But I have played Jack Bruce Gibson Bass guitar [since] my early skiffle days. I played acoustic, and still do. In fact, I play guitar on one track on the new album.I was very much a purist in wanting to play double bass, but then I was asked to do a session for a Jamaican jazz guitarist named Ernest Ranglin. He was very important in the development of Jamaican music like ska and reggae, as well as artists like Bob Marley, but he was also a jazz player. Island Records was doing a jazz EP, and I was doing quite a few sessions at the time. They told me specifically, to bring a “bass guitar.” So I borrowed one; I think Jack Bruce Gibson Bass was an old Guild semi-acoustic I got from a music shop, and I was immediately hooked.

More importantly, I think the invention of the bass guitar changed the whole direction of music. I would argue that it was more important than the guitar, because there have been guitars for a long time, and it was easy to amplify the guitar. But the bass guitar changed the whole sound and writing of music.

If you listen to early Elvis tracks, they’re using a double bass, and it’s a whole different feel – almost a country approach – from what came later. When the Jack Bruce Gibson Bass guitar began to be used more, that whole area – the bass frequencies – became more important, and that led to people like James Jamerson, who played very melodic bass. Sometimes, the bass was as important as the lead vocals, while the guitar was just chinking away rhythmically. There’s a very good book about that subject by a guy named Jim Roberts called How the Fender Bass Changed the World.

With an amplified guitar, the basic instrument is still the same. But the Jack Bruce Gibson Bass guitar had a different scale, and because of its sound, it made people write different kinds of music.

 

Eb1-1 Sale

eb1-1_HJ

The most notable advantage of Eb1-1 Sale for those who qualify for an EB-1 petition is the waiver of a Labor Certification requirement in the green card process. Another advantage is that visa numbers are almost always current for the EB-1 application category. This means that an alien will not have to wait for visa numbers to become available before applying Adjustment of Status (I-485) and receiving a Green Card. Furthermore, the applicant can file other immigration petitions under other appropriate categories (such as National Interest Waiver) while a EB-1 petition is pending.

Obtaining a Labor Certification is a time-consuming and expensive process that seeks to determine whether sufficient able, willing, and qualified U.S. worker are available to fill the position sought by the alien. In addition to the time and expense of the Labor Certification process, an alien risks being denied a Labor Certification if any U.S. workers with the minimum technical qualifications for the employment is found (even if the alien is actually more suitable for the position based on factors not considered in the Labor Certification process).

In an Eb1-1 Sale petition, Labor Certification is not required at all. For aliens with extraordinary ability (EB-1A petition), a permanent job offer is not required, applicants don’t have to demonstrate that they have an employer in the US; they only have to demonstrate that they will keep working in the field in which they have the extraordinary abilities, EB1A applicants may file for immigration petition on behalf of themselves. However, Eb1-1 Sale and EB-1C petitions require permanent job offers. In other words, a U.S. employer must be the petitioner for EB1B or EB1C cases.

1969 Gibson EB-1 Bass Guitar in good condition. Modified with 2nd EB-3 pickup. 2 volumes and a tone. Aftermarket hard shell case. Similar to one used by Robin Trowers bass player. Straight neck. Bridge cover. Early serial number. Original finish. We may, in our sole discretion, apply any proceeds of sale then due or thereafter becoming due to the purchaser from us or any affiliated company, or any payment made by the purchaser to us or any affiliated company, where or not intended to reduce the purchaser’s obligations with respect to the unpaid lot or lots, to the deficiency and any other amounts due to us or any affiliated companies.

In addition, a defaulting purchaser will be deemed to have granted and assigned to us and our affiliated companies, a continuing security interest of first priority in any property or money of our owing to such purchaser in our possession or in the possession of any of our affiliated companies, and we may retain and apply such property or money as collateral security for the obligations due to us or to any affiliated company of ours. Payment of Eb1-1 Salewill not be deemed to have been made in full until we have collected good funds. In the event the purchaser fails to pay any or all of the total purchase price for any lot and Julien’s elects to pay the Consignor any portion of the sale proceeds, the purchaser acknowledges that Julien’s shall have all of the rights of the Consignor to pursue the purchaser for any amounts paid to the Consignor, whether at law, in equity, or under these Conditions of Sale.

Eb Bass

Eb Bass

Do yo like this Eb Bass and want to own one? It is a good news for you that it is still available in our shop, and you can get in a short time with a reasonable price.

Julien’s reserves the right to withdraw any property before the sale and will have no liability for doing so.

We reserve the right to accept or decline any bid. Bids must be for an entire lot and each lot constitutes a separate sale. All bids are per lot unless otherwise announced at a live sale by the auctioneer. Live auction lots will be sold in their numbered sequence unless the Auctioneer directs otherwise. It is unlawful and illegal for Bidders to collude, pool, or agree with another Bidder to pay less than the fair value for lot(s). Bidders participating in both live and online auctions acknowledge that the law provides for substantial penalties in the form of treble damages and attorneys’ fees and costs of Eb Bass for those who violate these provisions. For live auctions the auctioneer will have final discretion in the event that any dispute should arise between bidders.

The auctioneer will determine the successful bidder, cancel the sale, or re-offer and resell the lot or lots in dispute. Julien’s will have final discretion to resolve any disputes arising after the sale and in online auctions. If any dispute arises our sale record is conclusive. Julien’s will execute order or absentee bids, and accept telephone bids as a courtesy to clients who are unable to attend the live auctions. Therefore we take no responsibility for any errors or omissions in connection with this service.

Subject to fulfillment of all of the conditions set forth herein, on the fall of the auctioneer’s hammer, title to the offered lot will pass to the highest bidder acknowledged by the auctioneer, and such bidder thereupon (a) assumes full risk and responsibility (including without limitation, liability for or damage to frames or glass covering prints, paintings, photos, or other works), and (b) will immediately pay the full purchase price or such part as we may require. In addition to other remedies available to us by law, we reserve the right to impose from the date of sale a late charge of 1 ½% per month of the total purchase price if payment is not made in accordance with the conditions set forth herein. All property must be removed from either our premises by the purchaser at his expense not later than 10 business days following its sale and if it is not so removed, (i) a handling charge of 1% of the total purchase price per month from the tenth day after the sale until its removal will be payable to us by the purchaser, with a minimum of 5% of the total purchase price for any property not so removed within 60 days after the sale, and (ii) we may send the purchased property to a public warehouse for the account, at the risk and expense of the purchaser.

If any applicable conditions of gibson eb1 bass herein are not complied with the purchaser will be in default and in addition to any and all other remedies available to us and the Consignor by law, including, without limitation, the right to hold the purchaser liable for the total purchase price, including all fees, charges and expenses more fully set forth herein, we, at our option, may (a) cancel the sale of that, or any other lots sold to the defaulting purchaser at the same or any other auction, retaining as liquidated damages all payments made by the purchaser, or (b) resell the purchased property, whether at public auction or by private sale, or (c) effect any combination thereof. In any case, the purchaser will be liable for any deficiency, any and all costs, handling charges, late charges, expenses of both sales, our commissions on both sales at our regular rates, legal fees and expenses, collection fees and incidental damages.

Bruce Bass

Bruce Bass

Payments of Bruce Bass : Julien’s Auctions will invoice only for the property (including buyer’s premium). Payments for winning lots should be made to Julien’s Auctions, PO Box 691789, W. Hollywood, CA 90069. We accept wire transfer, cashiers check or personal check, American Express, MasterCard and Visa. California and New York residents will be charged sales tax.

Shipping: Shipping for all small items will be handled directly through Julien’s Auctions. For all large or oversize items, shipping has been contracted by Rockin Boxes Global, Inc. All shipping inquiries can be directed To arrange shipping with Rockin Boxes Global, please contact them directly at (877) 420-0212 or . The buyer is responsible to make contact regarding any concerns or shipping related questions. Please allow 2-12 weeks for the delivery of your property depending on the size of the auction, the receiver’s destination, or the mode of transportation. All auction property is shipped at the bidder’s expense. All shipments are sent signature required. Property will not ship USPS or on your personal shipping accounts.

Courtesy to all Julien’s auctions clients, Julien’s auctions will offer 30 days free pick up and storage. Rockin Boxes Global, Inc. will offer to non-shipping clients 30 days free storage and charge a 55.00 removal fee per invoice. For all shipping clients there will be no removal fee.After 30 days, we charge 8.00 per lot, per day, unless prior arrangements are made. Julien’s and Rockin Boxes Global will not falsify or claim a lower valueon custom’s documents to avoid paying government fees. Julien’s and Rockin Boxes Global is not responsible if there is any delay in customs and is not responsible for returned shipments.

The Buyer of eb1 bass is responsible for all government fees including duties, taxes, VAT, Customs, or any unforeseen charges. All door to door Freight Shipments are curbside delivery. If you have any special requests, (property unpacked, brought upstairs, or inside delivery) there will be additional charges.

Bids will not be accepted from those persons under the age of eighteen (18) without written consent of said persons parent or legal guardian. Written consent must acknowledge the terms and conditions of sale.This Bruce Bass written consent constitutes an agreement to be bound thereby on behalf of the bidder.Bidder registration is required for all persons wishing to bid live and online for Julien’s Auctions. Any person registering for the auction in person or online will complete a registration or bid sheet.

All items are offered subject to a reserve. The reserve is the confidential minimum price acceptable to the Consignor. During a live auction the auctioneer may open any lot by bidding on behalf of the Consignor and may bid up to the amount of the reserve, by placing successive or consecutive bids for a lot or bids in response to other bidders. Online sales may do the same by employing the use of a starting bid which will commence bidding at or below the reserve price agreed to by the Consignor.

 

Jack Bruce Bass Guitar

Jack Bruce Bass Guitar

Julen’s Auctions guarantees the authenticity of Attribution of property listed in the catalogue or online as stated in the Terms of Guarantee. Except for the Limited Warranty contained in the terms of guarantee all property is sold “As Is”. We make no warranties, nor does the consignor, as to the merchantability or fitness for a particular purpose, the correctness of the catalogue or other description of the physical condition, size, quality, rarity, importance, medium, provenance, exhibitions, literature or historical relevance of any property of Jack Bruce Bass Guitar.

No oral or written statements made in the catalogue, online listing, advertisement, bill of sale, and announcement or elsewhere made by employees (including affiliated and related companies) shall be considered a warranty. We and the Consignor make no representations and warranties, express or implied, as to whether the purchaser acquires any copyrights, including but not limited to, any reproduction rights of any property. We and the Consignor are not responsible for errors and omissions in the catalogue, online listings or any other supplemental material.

It is the responsibility of prospective bidders of live auctions to inspect the property before bidding to determine Jack Bruce Bass Guitar condition, size, and to determine if it has been repaired or restored.

A buyer’s premium epiphone eb1 bass will be added to the successful bid price and is payable by the purchaser as part of the total purchase price. I acknowledge and agree that a 20% Buyer’s Premium will be added to the hammer price on individual lots $100,000 and higher, and a 25% Buyer’s Premium on all individual lots of $0 – $99,999 which I am the successful bidder. In addition, there will be an additional 3% buyer’s premium charged for any lots won online.

This is regardless of affiliation with any group or organization. I further acknowledge that I am responsible to pay Julien’s Auctions the aggregate of the hammer price and the Buyer’s Premium for such lot(s). All invoices must be paid within 10 calendar days after the close of the auction. I authorize Julien’s Auctions to charge my credit card listed provided at registration for all items purchased at this auction, and any future Julien’s Auctions I may participate in, if not paid in full within 10 calendar days after the close of the auction.

Gibson Eb 1 Bass

gibson eb 1 bass

You’re welcome but again I caution you that the diagram I put together was by poking around the crammed wires with a pencil and pen light. I tried to trace the circuitry to the best of my ability but as I am not trained in electronics, I offer no guarantees. If the circuit fails to work get back to me and we can troubleshoot it.
As for a sound bite of the Gibson Eb 1 Bass – I currently don’t have coupler which can join my 1/4″ (6.5mm) guitar cord plug to the 1/8″ (3.5mm) computer jack. I’ll see what I can come up with sometime in the near future – record with audacity and convert to MP3 but I don’t think Blogger supports posting audio files.
I wish I could be of more help but if you read my introductory posting you’ll know that an injury has put me into a wheelchair and unfortunately those wheels remain strapped to my ass at this time. Limits what I can do.
Cheers, Yuri

The eb-1 gibson followed on the heels of the first “Les Paul” guitar, issued in 1952. It was marked by a distinctive violin-shaped body made of solid mahogany with printed f-holes and double purfling painted on. The mimicry of an acoustic double bass was carried to the extreme of including an adaptable extension pit that made it possible to stand the instrument on end. To complete the picture, the EB-1 had a one-piece mahogany neck with a 30-1/2″ scale (shorter than the Fender bass of the time), and was fitted with Kluson banjo-type tuning gears with handles extending out from the back of the headstock rather than the sides. The Gibson Eb 1 Bass was originally called simply the “Electric Bass.

There were just 65 Gibson Eb 1 Bass manufactured in 1956. This one has had a slight headstock crack repaired over 20 years ago. It has the original pickguard in the case that someone in the 1960’s painted a design on. A great playing and sounding bass that comes in the original Gibson brown hard shell case.

Serial number 614108 – Gibson Eb 1 Bass Violin bass, with large V shaped crack on top, in hardshell case. Stand up pole for bass is present. Large square covered “trap door” cutout in back. Original pickup has been removed but is present with original brown cover. There is a hand made pickup in the neck with unique tortoise shell pickup guard. Bare wire on front of bass. Together with a handwritten note reading in full, “Serial #614108 / This is one of the 1st Electric Bass Guitars / Gibson made. I was responsible for the violin / shape – and also my son Rusty L.P. Jr. / changed it from Hi to Lo Impedance. / Note – it all came about (the Electric Guitar Bass / from me playing my E string on the guitar as a / Bass using my thumb – this proved it could / replace a stand up Gibson Eb 1 Bass and Leo Fender & / Lots others picked up the idea – / Les.”